1 DEJANA SEKULIĆ

“The Bow, the Key, the Silence, the Ways, and the Eternity”

“The Bow, the Key, the Silence, the Ways, and
the Eternity”, is a kind of monodrama of sonic storytelling through 5 acts, with hints of
obscure laboratory. Within these five acts, there is a process for performer’s re-locating
themselves and performance: searching, finding, replacing, placing. And the audience
becomes part of this journey, at times quite actively. The performance features Dejana’s two
works, “Pathways” and new work from “Reading Poetry” series, whose forms are ever-
changing, influenced by that one moment in time the performance brings. These works are
complemented with imaginatorium evoked by finding ways to interpreting graphic scores
from Johannes Kreidler’s >Music-19< series as well as Kreidler’s piece “BOW”, for violin,
video and audio playback.

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2 EXOTERRISM

Exoterrism (Fan Yau born in Hong Kong 1987), seeks the link between universal
geometric consciousness and the meta-reality of information associations. Influenced
by exoteric systems, Yau engages computer processed algorithms, errors, chaotic
systems, feedback loops, artificial-intelligence, retro-causalities and syncronicity.
Through experimentations of sound and visualization of it, its reaction on the human
body, Exoterrism aims at creating short term hallucinations or out of body
experiences. Technology through consciousness has surpassed the notion of space
and time, patterns are repeating through a multidimensional expanding dynamic
system, feed-backing into vibrations, energy and information.
Human soul is a multiplexed binary gate and the mind, a consequence of a loop from
the distance you are conditioned. Segmenting to different strata’s between thought
and execution.